Started DJing
Learning to mix records and build a room through selection, sequencing and timing.
Listen to the sound of this era
Old School Jungle, Ragga Jungle, Jump Up, DnB, Jungle
Lather, Rinse, Repeat: The Pre-Rinse ↗About Jamieson
Clubs taught me to mix. Weddings taught me to listen even more closely.
The beginning
I began DJing in 1997 and cut my teeth in Montreal’s jungle scene, holding residencies at IDJ and Junglist Fridays at Blue Dog. At the same time, I was immersed in the city’s wider club and after-hours culture, including regular nights at Sona.
Playing for those rooms—and spending countless hours on dance floors—taught me to pay attention to pacing, energy and how people actually respond, rather than relying on a fixed set.
Learning to mix records and build a room through selection, sequencing and timing.
Listen to the sound of this era
Old School Jungle, Ragga Jungle, Jump Up, DnB, Jungle
Lather, Rinse, Repeat: The Pre-Rinse ↗Residencies, underground rooms and the discipline of keeping a dance floor moving without relying on a script.
Listen to the sound of this era
Reggae, Jungle, Dubby Jungle, Ragga Jungle, Jump Up and DnB
Lather, Rinse, Repeat: The Conditioner ↗Residencies, one-off events and a wider musical perspective developed through a different city and culture.
Performing within a festival that welcomed approximately 50,000 people across the weekend.
Bringing club-level musical instincts to weddings, corporate programs and private celebrations across cottage country.
Why weddings matter
A wedding asks one room to hold many ages, histories and tastes at once. Learning to connect those people—without flattening the music into something generic—has sharpened every part of my craft.
It is not about showing people what I know. It is about helping them recognize themselves in the music.
Still digging
I am always discovering music, building crates and thinking about the next room. Nearly thirty years in, that curiosity is still the engine behind the work.
When you book DJ in Muskoka, that experience and preparation remain personal. There is no substitute DJ and no handoff to a roster.